argentum_ls: Matthew McCormick (Default)
I have things to write. There are deadlines coming up and obligations to meet. I have plenty of ideas, most of which make me grin at the thought of the completed story. Lord knows, I have the time to do all the writing I could ever want to do. Yet, every time I sit at the computer to write, I do something else. I can't blame writer's block because I don't feel blocked; I feel blah. It's writer's "I don't wanna." How I loathe having been pushed into this position, and how much more I loathe how I'm thwarted in all my efforts to leave it. I've been lucky to lead a life so far with few major regrets, but the decisions that brought me here are clearly the payback for that. I miss being full of desire to put words to page.

More Highlander Scenarios

  • As Richie prepares to abandon his life in Seacouver, he decides to visit his old friends one last time. The visit brings home how much Immortality has changed him, but also how much he is--and always will be--the kid from the old neighborhood. He's also surprised to learn that at least one of his friends isn't going to accept his goodbye. (Because when am I ever not seeking a Secret Identity Reveal story?)

  • We never see Joe learning about Richie's first death. Perhaps he was Watching that night, but I doubt it. He and Duncan were acquainted enough at that point that if Joe had been at the house, I think he'd have broken cover, all things considered. (On a picayune point, Richie was 19 when he died, yet we see him drinking at Joe's bar before he's legally 21. Does Joe not care about legal age when the customer is Immortal? Does he just shrug his shoulders at Richie's fake ID because it's only going to be the first of many? I could actually see Richie being the one to tell Joe what happened because he wants a drink and he figures age doesn't matter anymore.)

  • Something like "Bad Day in Building A," where it's a human crisis with an Immortal solution, only the hero is anyone other than Duncan. The different characters' ways of solving problems are always fun to see.

    Yuletide

    Sign-ups are apace. There are 719 people registered at the moment, with the usual amazingly diverse spread of fandoms. There's even (currently) someone else requesting and offering TP '13. Yesterday, there were three someone elses. Last year, we went 8,9 on that fandom. My prediction for this year is 3,4. No takers yet on TP '73. That and all my other current requests are 1,0, save for Supergirl, which looks to be a Yuletide favorite.

    I'm amused by how many participants' names I recognize, most of them fondly. Lots of people there I wish I could gather around me and get to know better.

    I suppose I should write my letter, but I don't wanna.

    Shortcuts

    Assignment, assignment, where are you assignment? I need to knoooooow.

    NaNoWriMo

    Probably not, this year. Of course, I said that last year, too and we know how that turned out
  • argentum_ls: (Richie Ryan)
    Kamir: Men like us must preserve where we come from because that is what makes us sane. That is what makes us holy.

    Richie: Sure. If you come from somewhere. Or someone.

    Kamir: You only say this because you don't know who your parents are? No Immortal does. We are children and heirs of the time and place that bore us.

    Richie: So... Mac's got the Highlands. You've got India. I've got bowling allies and fast food joints.

    --"The Wrath of Kali"


    This exchange gets to the heart of what I like about Richie and what I would have liked more of with him. When MacLeod found him, he quite literally pulled Richie off the streets, out of poverty, and out of the kind of life of petty crime that's only going to lead to jail (best case scenario) and gave him a home, a family, and opportunity. He also introduced Richie to this epic and exciting world of Immortals and The Game and a whole bunch of other common nouns that have been upgraded to capital letters, and it was all like Richie had fallen into a fairy tale. MacLeod's 400 years old. Amanda's over a 1000. Richie routinely met or heard about other people with multiple centuries, if not millennia, to their ages and the colorful bits of history they lived through or helped create.

    Then Richie became an Immortal and took up a sword, and discovered that Immortality was nowhere near as glamorous as he'd believed.

    For starters, Richie hadn't been raised in a time that expected young men to become warriors who expected to fight, die, and kill, and now he was required to do all of those. He became an Immortal, but he didn't come into a fount of knowledge/experience that made the world any clearer to him or become rich, or important, or develop any kind of grand purpose. Coming back from the dead didn't transform him into a fairy-tale Hero.

    I think this was all very confusing to him, and more than a little bit of a let down.

    The world of Immortals is violent and dangerous and, frankly, not anywhere near as morally clear as Mac had presented it. Richie's life had changed in fundamentally important ways, but his world really hadn't. He still knew the same people he'd always known, went to the same places he'd always gone, and struggled with the same problems he'd always had.

    The only time he died in such a way that it became an inconvenience for him, he was in France. Yes, he saw the death of his dream to become a professional racer, but France was not his home turf. Leaving the country and giving up his identity there was a temporary setback in the scheme of things. In a sense, he died, and respawned back in Seacouver as if the whole France thing had been nothing more than a dream he'd had to wake up from too soon. Back to square one, without even a decent story to show for it.

    What I wanted from his story was to see someone going down the road of Immortality for the first time, and to see the world he'd lived in slip further and further away because he couldn't keep growing with it.

    What would it have been like for Angie to run into him during season 5 and wonder how he'd barely aged since the last time she saw him? How would he deal when he had to face leaving Seacouver, the city he'd spent his entire formative life in, for a whole generation? At what point would he need to start thinking about faking a public death so that people he knew when he was kid (e.g. Maria Alcobar) would stop trying to reconnect with him? And then, how would he pull it off? How would he, specifically, deal with the kind of long-term relationships where his SO starts trying to transition from the fairly nomadic lifestyle that's acceptable in twenty-somethings to the kind of settled life that he's never going to look old enough to be able to reach? And what will he do when he wants the lifestyle expected of older people? We got a glimpse of that story with Donna, but the threat of Kern came on so fast and so strong that the decisions were all but taken out of his hands.

    What would happen when Richie's sitting in a college classroom next to Mary Lindsey and realizing that the version of Richie she knows cannot be who he is?

    The experiences Richie'd have as a new Immortal would be very different as a perpetual adolescent than those Duncan had as a perpetual thirty-something, not just because of the eras of their first lifetimes, but because of the societal expectations put on them based solely on how old they appear to be.

    As American society continues to push the age of maturity further up, I think Richie's story would only become more interesting; what he'd be allowed to want with a twenty-year old face in 1995 is different than what he'd be allowed to want in 2015, so in a sense he'd be forced to de-age just when he most wanted to be taken seriously as an adult.

    The unfortunate part about a show featuring characters who never age is that their actors do, so there's no way to come back to many of these ideas in live-action. Also, there's the whole matter of "Archangel," damn the producers. So, getting to see this story play out is sadly impossible.

    Richie wanted to be connected to a place and a time where his presence mattered. I would have liked to have seen more focus on his journey toward discovering that one doesn't need to be a fairy tale hero to have that.
    argentum_ls: Matthew McCormick (Default)
    I’ve been rewatching the last few episodes of The Tomorrow People (CW) and have decided that they really encapsulate my biggest problem with the show: too much plot and not enough character.

    While the back half of the show feels really rushed to me, I’ll grant that this is likely because the the producers saw the writing on the wall and wanted to provide a complete story line, thus forcing them to compress a much longer arc into the remaining episodes.

    That said, the problems to me go back to the first episodes, though they don’t start to get really bad until episode 6 or so (IMO). The first few episodes introduce the characters; these are my favorite episodes because there are solid interactions that don’t involve hitting, shooting, or otherwise trying to pummel someone. But then there’s the plot. The first episode alone introduces the TP, ULTRA, the shadow war, Jedikiah’s plans for TP extermination, and Stephen as a double agent. That’s a lot of material! By the fifth episode, we’ve seen multiple examples of people betraying or being betrayed by ULTRA, learned about the Annex project, and been introduced to a number of new characters. The pace only picks up after that.

    The Tomorrow People as a concept are always about saving the world, often with the threat being fairly absurd, so I’m willing to suspend a lot of disbelief there. However, the threat of the Founder and the Machine were so convoluted, and required so much rearranging of the pieces as to who’s on which side at any given minute (and who’s involved with which other character at any given minute), that the show turned itself into a Gordian Knot of motivation.

    I think the show would have been much better–and might even have been successful–if the producers had taken the same approach to it that they brought to The Flash and simplified the overarching plot and provided a lot more opportunity for the characters to just be.

    Thoughts?
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